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I am bored, so I've been going through some of my old computer disks and found this. It's leftover from a couple years ago when I was trying to write some humorous articles for a class. This in itself isn't a humor article, it's more like a few paragraphs talking about how hard it is to write humor. I'm no expert, certainly, but anyway. It's a little angsty, maybe, and because I'm feeling too lazy at the moment to write new angst, I thought I'd post some old angst. But don't worry, it's not OVERLY angsty. /ramble

Musings of a Wannabe Humor Columnist: Not Quite There Yet

What makes something funny? Is it sarcasm? Irony? Unexpected understatement?

Probably some of everything. After all, pretty much anything can be funny if worded the right way. People joke about death, disease, people jumping off cliffs or getting hit by falling cows (actually happened). These things were probably not funny to the people when they happened, and for many are still not funny. But when a comedian or humor columnist comes across such incidents, they make a few ribald or subtle pronouncements, and send audiences into gales of laughter.

It’s harder to do this than it seems. Sitting down and thinking, “Okay, funny, I need something funny” and expecting pure humor to flow from your pen is not a realistic goal. The first couple drafts, you’re gonna get pure crap, I promise you. You can take ideas from the news (Iraqi Head Seeks Arms) or from the world around you. I like to read the fake tabloids at the grocery store, you know, “Elvis Ate My Baby.” Whoever writes that stuff has to be on something stronger than just printer ink.

As far as sarcasm, irony, and understatement go, you need something else. Some kind of hook. Dave Barry suggests the word “weasel” whenever you’re stuck. I like the word “bonobo” myself, but it would seem not many people outside of the primatologist crowd understand the subtle sexual humor to be found among these gentle apes. My roommates refer to them as “sex monkeys”, which I guess is a fairly accurate observation. Come to think of it, “monkey” is kind of a funny word.

A lot of words sound funny (though not necessarily funny ha-ha) when you say them enough. As an experiement, go ahead and say your own name to yourself twenty or thirty times. I’ll wait.

Now isn’t that interesting? I don’t know your name or I’d be making fun of you directly, but take my name, for example. Nelli. It rhymes with several things, none of which I particularily want to be associated with, but...it’s something.

Date: 2005-02-03 07:20 pm (UTC)
From: [identity profile] milestogo13.livejournal.com
It works differently for everybody. Humor is a fickle mistress as well, so not only does it work differently for everybody as a rule, it works differently for every article for every person that it already works differently for than everybody else. Wheee!

You have to know your audience, as well, which is why reader feedback is such a valuable tool to a humor columnist. Some themes are just going to resonate more with the crowd that gravitates towards you than others. When I was working as a humor columnist in Mississippi, for example, a great deal of my readership was made up of college students or recent college graduates, so bitching about the nightlife, and traffic, and how stupid drivers in the area were, or how amusing drunk people could be were all safe bets. Rants about social security, on the other hand, made everyone look at me like a dog that had just been shown a card trick.

So since there are so many variables to how it's going to work for you, I think the most important thing you can do is find your voice -- the style and vocabulary and tone that sounds the most casual (because humor is nothing if not informal), like you're just having a conversation with your readers, and cling to it. And make sure it's really you, there's nothing more painful that reading a humor columnist who is just trying too hard. Funny is informal and natural, so your writing should be as well.

Date: 2005-02-03 07:49 pm (UTC)
From: [identity profile] milestogo13.livejournal.com
I had to get over that same wall when it came to my stand-up comedy. I'd been doing it informally at parties and get togethers and just at lunch with my friends for years and years, but to get my stage act to work I had to train myself not to be anyone other than who I actually was, because I was funny enough on my own without reaching for it. It's just so painfully obvious when a stand-up comic is reaching. That took some doing, convincing myself that I was enough.

No need to get dejected though. We all go through it, just stick with it, and maybe think about any humor article you try to write as though it were a journal entry. Maybe even write them in live journal behind filters just as practice.

Date: 2005-02-03 08:04 pm (UTC)
From: [identity profile] milestogo13.livejournal.com
You're welcome, if I've actually helped any, which I can't imagine that I have, so I'm also sorry for wasting your time, and potentially sounding like a royal ass. Gotta love my conflicted mind.

Date: 2005-02-04 09:57 pm (UTC)
From: [identity profile] chaosvizier.livejournal.com
I agree totally. It is hard to be funny on command. It's hard to determine exactly what is truly funny. Different people have different senses of humor- one person loves sarcasm, another loves puns, another loves schadenfreude... it's difficult for one joke to target all audiences. Having a hook or consistent theme works well for stand-up comics. Hyperbole can do wonders as well- a little exaggeration can turn an average, somewhat funny story into something side-splitting. Throw in some expanded metaphor and you get something like this. Pure comedic gold. I aspire to be that funny one day.

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